18,133 Royalty-Free Audio Tracks for "Midi Files Of Musical Scales In A Sharp"

*Wide augmented third on C = E#+ (Ben Johnston's notation). Just: 675/512 = 478.49 cents. Limit: 5-limit. MIDI pitch bend: 15,89 on M3

*Septimal major sixth on C = A (Ben Johnston's notation). 12:7 = 933.13 cents. Limit: 7-limit.

*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79

*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.

Supermajor sixth on B7b. Created by Hyacinth (talk) 20:20, 19 March 2011 (UTC) using Sibelius 5.

*Pythagorean minor sixth on C = A♭- (Ben Johnston's notation). 128:81 = 792.18 cents. Limit: 3-limit. MIDI pitch bend: 64,61

Sing we and chant it, Thomas Morley's version of Gastoldi's A lieta vita

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

Composed by Teng Yu-hsien, written by Lin Lin-chiu, published in 1933 by the Columbia Records at Taiwan of the Japanese Empire.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

Häschen in der Grube

Whiskey in the Jar

In einem kühlen Grunde

Und in dem Schneegebirge

The Flowers of the Forest

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

*Grad on C. 531441:5242881/12≈886:885 = 1.955001 cents.

*Schismatic temperament perfect fourth on C. 10/11/8 = 498.29 cents.

We Wish You A Merry Christmas

It's a Long Way to Tipperary

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Augmented major seventh chord on C

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Scarlatti Sonasta K319, bars 62-80

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

Excerpt from Bach's Mass in B minor

Рекламный ролик «Северного торгового банка»

*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72

*Septimal neutral seventh on C = BLb- (Ben Johnston's notation). 64:35 = 1044.86 cents. Limit: 7-limit. MIDI pitch bend: 45,78

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

*Tridecimal neutral third on C = E (Ben Johnston's notation). 16:13 = 359.47 cents. Limit: 13-limit. MIDI pitch bend: 4,83 on m3

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

Subminor third on G. 7:6 = 266.87 cents.

*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

*Just augmented third on C = E♯. 125:96 = 456.99 cents. Limit: 5-limit.

*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75

*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.

Claude Debussy String Quartet (1893) second movement opening.

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

MIDI file created with GNU EasyABC of 'Make a Joyful Noise' 1900's by Herbert Hadwen Chandler (1865-1941)